Category: Visual Art

Part Three weaves Picasso’s and Matisse’s voices into a living meditation on solitude, necessity, joy, discipline, and the quiet violence of artistic creation.

“I have transformed myself in the Zero.” Brian George assembles quote-poems from visionary artists—de Chirico, Malevich—creating friction between their actual words. Not tribute. Possession. The daimon speaking through creative struggle itself.

Born in the Soviet Union to dissident parents, Alexandra’s life and art are shaped by exile, memory, and reinvention. Her narrative paintings blend autobiography, symbolism, and art history into emotionally charged scenes of belonging, displacement, and quiet transformation.

Margaret Phanes’ luminous digital art offers a meditative journey into light, consciousness, and the soul’s transformative power.

These sculptures call out the absence of stories about women’s autonomy, bodily integrity, and independence from male control while remaining connected in Divine Female-Divine Male-relationship.

Discover our new series on experimental sound art plus Jane Hudson’s mystical geometric paintings

These elements in tension—the speculative and the intuitive, the leap of vision and the act of making—came together to focus my painting as a spiritual practice as well as an aesthetic one.

Explore the mysterious world of rock electricity, where artists unlock hidden sonic frequencies and cosmic energies through experimental sound technology.

In this deep dive into prehistoric art, discover how ancient cupules reveal humanity’s first expressions of self-awareness and sacred connection to stone.

All my children emanate innate energies of being, so I can find them swiftly. Solange is Intelligence. I find my children of Wisdom, Acute Observation, Irony, Independence, and lastly, my Queen of Daydreams. I think they were waiting for me. They are incubating in this world. A world of rain and water and earth.

What can we know of an animal and their story? No nature documentary can truly show us what is in the heart of an animal.

We say that the moon waxes and wanes on a monthly cycle and that the ocean tides ebb and flow two times each day, but nothing on the earth, whether geological or biological, is exempt from the forces of expansion and contraction, the waxing and waning of gravitational forces, and the constant ebbing and flowing of erosive water. This exhibition was inspired by the cycles that rule change in the natural world, and our perceptions of time and impermanence.

Unearthing stories are part of the mysteries and folklore that feed my spirit to recreate what is and what remains—a journey of unknowns that motivate me to further explore my art forms.

For a thousand years I helped build our worlds. I surf and slide on electromagnetic currents. I can find my children in the dimensional strata.

I care about touch. I want evidence of the human. My paintings can be slow to see and slow to make. I look for consonance between what I feel and what I see.

I create my worlds on wood panels with acrylic and the occasional found object. They are made to explore my inner universe: to discover my relationships with other forms of life.

A virgin will rebuild from ash the burning library at Alexandria. She will not take any prisoners. Her large eyes will be tests that you must pass. For a third time will the Argo sail, outperforming Voyager One. You will learn of how this ship is not different from your body. It will move beyond the speed of light.

A new series of gouache paintings that combine natural and geometric forms, exploring cycles of growth and momentum. Inspired by Tai Chi and the blossoming of flowers, these works manifest as the explosion of a geode or the life cycle of a bloom, driven by the commonality of momentum.

See Marjorie Kaye’s new series of paintings, “Millionth Wave Futurism,” at the Galataea Fine Art gallery, in Boston MA from May 5-28th, 2023.

Metapsychosis editor Mary Thaler interviewed Deniz Ozan-George, an artist based in Boston, Massachussetts. Though she’s recently completed one portrait, Deniz considers herself first and foremost an abstract painter, lyrical, and expressionist.

Above all, Antoniou’s compressed, theatrical space could perhaps be read as a kind of ritual confrontation, in which the known and unknown, the diurnal and nocturnal, are forced to meet and mix on a stage that allows for no casual avoidance or escape.

Reminiscent of the work William Blake, Max Beckmann, and Hieronymus Bosch—to say nothing of the latter’s medieval predecessors, Antoniou’s images find their singularity in the exploration of the imaginal encounter, the sacred drama.

Forms point upward or sideways from a centrifugal base, hunting and seeking. Tides of observation and transmission approach and recede, leaving visual patterns in their wake. Ancient symbols make their way across pathways of energy, co-existing with forms of nature; earth, sky and all types of elemental forms are born of essential vibration.